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International Articles

  • EXPRESSION METHODS IN LITERARY WORKS THAT BEEN USED IN TASAVVUFIAN AND MORAL EDUCATION: EXAMPLE OF PEND-NAME COMMENTARIES ABSTRACT By the time the Turkish Literature viewed in terms of commentary, it can be seen that religious and tasavvufian examples are in majority. On the area of tasavvufian literature, examples which belong to Iran were more efficient as com pared to Arabian Literature. Turkish mutasavvıfs bringed new aspects in the works that had been commentaried by Iranian mutasaffıvs either by translating or by doing commentation from time to time. In the Turkish commentary tradition, reasons like the language, content and structure of the text which has been interpreted annotated and the identity of the announcer, his / her personality and his / her audience of reader, although it makes difficult to follow a single method in commentaries, it is seen as a priority aim to convey the commentary in predestination ıt can be seen that the annotation method is more consistent and the limits are more pronounced according to the commentaries, which consider transferring in the annotated commentaries as priority. Pend-namah, which has created a deep influence for centuries, wherever Islamic civilization reigns, It has been accepted as a valuable tool in terms of tasavvufian and moral education of many generations. For the work consisting of approximately 900 couplets, many commentaries and translations were written in the Turkish language and even the works were written by many Turkish poets. By considering the level of the intended audience, it can be seen that several techniques had been used on the Tasavvufian Poetry which contains particular compellation styles nearly in all. In our article we are going go study of the works from Pend-namah commentaries that belonged to different centuries Saadat-namah (Sham’i), Mufid (Abdurrahman Abdi Pasha), Sharhe Pende Attar ( İsma il Hakkı Bursevi), Berg-i Dervishan (Mustafa Re fi’a) Ruhus-shuruh (Kilisli Mustafa Ruhi) and Ma-hazar (Murad Molla Nakshibendi) with regard to their expression methods in a comperative way. Thus we are going to have a chance to determine of which expression methods had been used efficiently in moral and tasavvufian commentary within Turkish Literature. STRUCTURED ABSTRACT Wording; the artist's vision, sense, perception, and characteristics in narration, or its own unique narrative style of an age, genre. Just as writer or author has a style, the text also has a style. In Turkish literature, (July 2018)
  • DIVAN POETRY AS A PROPAGANDA TOOL QIZILBASH EXAMPLE (October 2016)
  • .G. AKÇAY, BIR PROPAGANDA ARACI OLARAK DIVAN SIIRI KIZILBAS ÖRNEGI DIVAN POETRY AS A PROPAGANDA TOOL QIZILBASH EXAMPLE, Türk Kültürü ve Haci Bektas Veli Arastirma Dergisi, no. 79, pp. 197-215, Ankara-TÜRKIYE, 10, 2016.
  • THE PERSONAL STYLE OF HÂFIZ IN TERMS OF COLOURING THE DEPICTIONS OF POETRY (July 2014)

International Conference Proceedings

  • .G. AKÇAY, SEZGIN KAYMAZ ROMANLARINDA FANTASTIK ÖGELER, 1. Uluslararasi Iletisim, Edebiyat, Müzik ve Sanat Çalismalarinda Güncel Yaklasimlar Kongresi, no. 1, pp. 60-60, Kocaeli-TÜRKIYE.